King James Version

What Does Acts 19:29 Mean?

And the whole city was filled with confusion: and having caught Gaius and Aristarchus, men of Macedonia, Paul's companions in travel, they rushed with one accord into the theatre.

Context

27

So that not only this our craft is in danger to be set at nought; but also that the temple of the great goddess Diana should be despised , and her magnificence should be destroyed, whom all Asia and the world worshippeth. set at nought: or, brought into disrepute, or, contempt

28

And when they heard these sayings, they were full of wrath, and cried out, saying, Great is Diana of the Ephesians.

29

And the whole city was filled with confusion: and having caught Gaius and Aristarchus, men of Macedonia, Paul's companions in travel, they rushed with one accord into the theatre.

30

And when Paul would have entered in unto the people, the disciples suffered him not.

31

And certain of the chief of Asia, which were his friends, sent unto him, desiring him that he would not adventure himself into the theatre.

Commentary

Ellicott’s Commentary for English Readers
(29) **The whole city was filled with confusion.**—The loud shouts from the quarter in which Demetrius and his workmen met would, of course, attract attention. A rumour would spread through the city that the company of strangers, who had been objects of curiosity and suspicion, were engaged in a conspiracy against the worship which was the pride and glory of their city. It was natural, in such circumstances, that they should flock together to the largest place of public concourse, and drag thither any of that company on whom they might chance to light. We may compare, as an interesting historical parallel, the excitement which was caused at Athens by the mutilation of the Hermæ-busts at the time of the Sicilian Expedition under Alcibiades (Thuc. vi. 27). **Gaius and Aristarchus.**—The former name represents the Roman “Caius.” It was one of the commonest of Latin names, and appears as belonging to four persons in the New Testament: (1) the Macedonian mentioned here; (2) Gaius of Derbe (but see Note on Acts 20:4); (3) Gaius of Corinth, the host of St. Paul, whom he baptised with his own hands (Romans 16:23; 1Corinthians 1:14); (4) Gaius to whom St. John addressed his third Epistle; (3) and (4), however, may probably be the same. (See *Introduction to the Third Epistle General of John.*) Of Aristarchus we learn, from Acts 20:4, that he was of Thessalonica. As such he had probably had some previous experience of such violence, and had, we may believe, shown courage in resisting it (1Thessalonians 2:14). He appears as one of St. Paul’s companions in the journey to Jerusalem (Acts 20:4), probably as a delegate from the Macedonian churches. He appears, from Colossians 4:10, to have been a Jewish convert, and to have shared the Apostle’s imprisonment at Rome, either as himself under arrest, or, more probably, as voluntarily accepting confinement in the Apostle’s hired house (Acts 28:30), that he might minister to his necessities. The description given of them, as “Paul’s companions in travel” is not without significance as implying a missionary activity beyond the walls of Ephesus, in which they had been sharers. **They rushed with one accord into the theatre.**—The theatre of Ephesus was, next to the Temple of Artemis, its chief glory. Mr. Wood, the most recent explorer, describes it as capable of holding twenty-five thousand people (*Ephes.* p. 68). It was constructed chiefly for gladiatorial combats with wild beasts and the like, but was also used for dramatic entertainments. The theatre of a Greek city, with its wide open area, was a favourite spot for public meetings of all kinds, just as Hyde Park is with us, or as the Champ de Mars was in the French Revolution. So Vespasian addressed the people in the theatre of Antioch (Tacit. *Hist. ii.* 80; comp. also Apuleius, *Metamorph., *bk. iii.).

Charles John Ellicott (1819–1905). Public Domain.

Historical Context

This verse is found in the book of Acts. Understanding the historical and cultural background helps illuminate its meaning for the original audience and for us today.

Theological Significance

Acts 19:29 contributes to our understanding of God's character and His relationship with humanity. Consider how this verse connects to the broader themes of Scripture.

Cross-References

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