King James Version
Psalms 123
4 verses with commentary
Our Eyes Look to the Lord
A Song of degrees. Unto thee lift I up mine eyes, O thou that dwellest in the heavens.
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The psalm opens with eyes lifted heavenward: 'Unto thee lift I up mine eyes, O thou that dwellest in the heavens.' The upward gaze signifies dependence, expectation, and worship. Eyes naturally turn to sources of help; lifting them to heaven acknowledges that ultimate help comes not from horizontal sources (other people, circumstances) but from God alone. The phrase 'that dwellest in the heavens' emphasizes God's transcendence, sovereignty, and authority. He sits enthroned above earthly chaos, unaffected by circumstances that overwhelm His people. This posture contrasts with looking down in despair or looking around in anxiety. Looking up requires faith - trusting an unseen God rather than visible realities. The psalmist models prayer as realigning perspective from earthly troubles to the heavenly Sovereign.
Behold, as the eyes of servants look unto the hand of their masters, and as the eyes of a maiden unto the hand of her mistress; so our eyes wait upon the LORD our God, until that he have mercy upon us.
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A simile illustrates dependent watching: 'Behold, as the eyes of servants look unto the hand of their masters, and as the eyes of a maiden unto the hand of her mistress; so our eyes wait upon the LORD our God, until that he have mercy upon us.' The double comparison (male servants, female maidens) emphasizes universality - all who depend on masters exhibit this attentive watching. Servants watch the master's hand for signals, commands, provision, and protection. The hand symbolizes power, action, and provision. This watching is active, not passive - alert readiness to respond to divine direction. The phrase 'until that he have mercy' reveals the specific need: divine compassion and intervention. Waiting 'upon' the LORD combines expectation with submission. The comparison to servants might seem demeaning in modern contexts, but it accurately depicts human dependence on God - we are creatures serving Creator, subjects before Sovereign. Dignity comes not from autonomy but from relationship with the Master.
Have mercy upon us, O LORD, have mercy upon us: for we are exceedingly filled with contempt.
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The cry for mercy intensifies: 'Have mercy upon us, O LORD, have mercy upon us: for we are exceedingly filled with contempt.' The double plea 'have mercy...have mercy' expresses desperation. Hebrew 'chanan' (have mercy) denotes gracious favor undeserved by the recipient. The reason follows: 'we are exceedingly filled with contempt.' The word 'exceedingly' (Hebrew 'rav') means abundant, great, much - contempt has reached intolerable levels. 'Contempt' involves scorn, mockery, and disdain - being treated as worthless or despicable. To be 'filled' with contempt suggests saturation; the psalmist can endure no more. This verse reveals that the need for mercy stems from social oppression and mockery. The appeal to God acknowledges that human vindication is impossible - only divine mercy can relieve the burden of contempt.
Our soul is exceedingly filled with the scorning of those that are at ease, and with the contempt of the proud .
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The source of contempt is identified: 'Our soul is exceedingly filled with the scorning of those that are at ease, and with the contempt of the proud.' The word 'soul' (nephesh) represents the whole person - the mockery has penetrated deeply, affecting emotions, thoughts, and will. Two groups oppress: 'those that are at ease' (comfortable, prosperous, secure in their position) and 'the proud' (arrogant, self-exalting). The 'at ease' represent those who mock from positions of comfort, undisturbed by the suffering they observe or cause. The 'proud' actively exalt themselves while despising others. Both groups share self-sufficiency - they need neither God nor others. Their contempt flows from supposing themselves superior. The doubled description ('scorning' and 'contempt') emphasizes the relentlessness of mockery. The psalm ends without resolution, mirroring the incomplete nature of vindication in this age. The abrupt ending drives the worshiper upward toward God, the only source of relief.