King James Version

What Does Song of Solomon 1:5 Mean?

Song of Solomon 1:5 in the King James Version says “I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon. — study this verse from Song of Solomon chapter 1 with commentary, cross-references, and original Hebrew word analysis.

I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.

Song of Solomon 1:5 · KJV


Context

3

Because of the savour of thy good ointments thy name is as ointment poured forth, therefore do the virgins love thee.

4

Draw me, we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will remember thy love more than wine: the upright love thee. the upright: or, they love thee uprightly

5

I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.

6

Look not upon me, because I am black, because the sun hath looked upon me: my mother's children were angry with me; they made me the keeper of the vineyards; but mine own vineyard have I not kept.

7

Tell me, O thou whom my soul loveth, where thou feedest, where thou makest thy flock to rest at noon: for why should I be as one that turneth aside by the flocks of thy companions? as one: or, as one that is veiled


Commentary

KJV Study Commentary
The bride addresses potential criticism: 'I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.' The phrase 'I am black, but comely' (shechorah ani ve-navah, שְׁחוֹרָה אֲנִי וְנָאוָה) acknowledges sun-darkened skin while affirming beauty. The 'daughters of Jerusalem' represent city-dwelling women with lighter skin (less sun exposure). The bride compares herself to 'tents of Kedar'—the black goat-hair tents of nomadic Arabs—and 'curtains of Solomon'—rich, beautiful curtains in the royal palace. Both comparisons affirm: though dark, I am beautiful. This verse teaches that beauty isn't defined by cultural standards but by the beloved's valuation. The church fathers saw prophetic significance: the Gentile Church, once outside covenant blessings ('black'), is made beautiful through Christ's love. God's grace transforms those the world despises into beloved treasures.

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Historical & Cultural Context

Ancient Near Eastern culture generally prized lighter skin as sign of wealth and leisure—indoor work versus outdoor labor. The bride's sun-darkened skin suggests she worked outdoors (verse 6 explains: 'my mother's children... made me the keeper of the vineyards'). Kedar was Ishmael's second son (Genesis 25:13), and his descendants were nomadic tribes in the Arabian desert known for black goat-hair tents. The contrast between Kedar's tents (lowly, nomadic) and Solomon's curtains (royal, beautiful) creates powerful imagery: both are dark, yet one is common and one is magnificent. Early church interpretation saw the Gentiles (outsiders, 'black') made beautiful through inclusion in Christ. Augustine applied this personally: 'I am black through sin, but comely through grace.' The Reformers emphasized that believers are simultaneously sinful and righteous—'black' in themselves but 'comely' in Christ.

Reflection Questions

  1. How does Christ's love transform your self-perception from focusing on deficiencies ('I am black') to embracing His valuation ('but comely')?
  2. In what ways does the gospel challenge cultural standards of worth, beauty, or acceptability?

Original Language Analysis

Hebrew · 9 words
שְׁחוֹרָ֤ה1 of 9

I am black

H7838

properly, dusky, but also (absol.) jetty

אֲנִי֙2 of 9
H589

i

וְֽנָאוָ֔ה3 of 9

but comely

H5000

suitable, or beautiful

בְּנ֖וֹת4 of 9

O ye daughters

H1323

a daughter (used in the same wide sense as other terms of relationship, literally and figuratively)

יְרוּשָׁלִָ֑ם5 of 9

of Jerusalem

H3389

jerushalaim or jerushalem, the capital city of palestine

כְּאָהֳלֵ֣י6 of 9

as the tents

H168

a tent (as clearly conspicuous from a distance)

קֵדָ֔ר7 of 9

of Kedar

H6938

kedar, a son of ishmael; also (collectively) bedouin (as his descendants or representatives)

כִּירִיע֖וֹת8 of 9

as the curtains

H3407

a hanging (as tremulous)

שְׁלֹמֹֽה׃9 of 9

of Solomon

H8010

shelomah, david's successor


Study Guide

Historical Context

This verse is found in the book of Song of Solomon. Understanding the historical and cultural background helps illuminate its meaning for the original audience and for us today.

Theological Significance

Song of Solomon 1:5 contributes to our understanding of God's character and His relationship with humanity. Consider how this verse connects to the broader themes of Scripture.

Cross-References

Verses related to Song of Solomon 1:5 from Treasury of Scripture Knowledge

Places in This Verse

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